Night flight to San Francisco, chase the moon across America. God! It’s been years since I was on a plane. When we hit 35,000 feet, we’ll have reached the tropopause, the great belt of calm air, as close as it will ever get to the ozone. I dreamed we were there. The plane leapt the tropopause, the safe air, and attained the outer rim, the ozone, which was ragged, torn, patches of it, threadbare as old cheesecloth, and that was frightening. But I saw something only I could see, because of my astonishing ability to see such things.
这将会是篇离题略远的影评。
电影中，爱丽丝拿着记号笔战巍巍说完的那段演讲是我第一次泪崩的点。"Who can take us seriously when we are so far from who we once were? Our strange behavior and fumbled sentences change other’s perceptions of us and our perceptions of ourselves. We become ridiculous, incapable, comic, but this is not who we are, this is our disease. And like any disease, it has a cause, it has a progression, and it could have a cure. "
当疾病降临到你身上时，作为一个正常人类的尊严会在不知不觉中消失殆尽，人们觉得你的行为举止变得奇怪，无法再与你进行正常交流，正如张爱玲《花凋》中川嫦病重出门时，人们只会睁大了眼睛说“这女人瘦来！怕来！”，因为他们能接受“戏剧化的，虚假的悲哀”，却无法体会真有一身病痛的人；正如《爱》里那位爱看演出有品味有思想时时刻刻保持优雅的老太太，最终只能含糊不清地喊着痛生活完全不能自理让身边最亲近的人无法直视⋯⋯
但那不是你本来的样子
《依然爱丽丝》：Living in a moment
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