简述：Michael Hanake encountered the Blair Witch project in Kim Gok's "Exhausted", which was a vicious kick to everyone in the audience, Everyone Style" A man meets a silent woman, just like any rational person would do in such a situation, making her his prostitute. But pimping is our smallest problem. When we are exhausted by rough fake 16mm photography, this movie becomes increasingly crazy. Our closest sympathetic character is a pimp because he is too proud to sleep with a mute prostitute. Others are either flesh and blood blurred or disguised as flesh and blood blurred. Even a prostitute, even a thug such as Lars von Till, would make her likable, but she also behaved like a horrible woman who was delirious. Her screams were like hitting the jugular vein vein. Jin Gao seems to have abandoned Marxist criticism of his short films and instead resorted to unconscious atrocities, which ultimately led to an endless bloody freak performance, including a pair of scissors going to the wrong place. During the bloody process, we filmed the dying face of the battered prostitute for a long time, but this did not arouse sympathy or sympathy. In fact, the photos of the victims only make us shrink in shock. In fact, during the screening in Busan, the extended footage resulted in consecutive exits. The long filming made us stare, but it assumed that we were as sadistic as the victims (and the movie). At the same time, the sound effect (mainly the booming bass lines that shake the theater) pulsates with pure evil. For Hanake, shock can lead to reflection, which requires us to maintain a critical attitude. Here, we just want to escape. I think exhaustion has some advantages; The drilling machine and factory lenses provide a captivating backdrop for the pursuits of pimps and prostitutes. But everything else was too painful. At least Jinji Duke gave us a break. Exhaustion makes bad guys look like women and homeless people. (Asian Art. ucla. edu)
Michael Hanake encountered the Blair Witch project in Kim Gok's "Exhausted", which was a vicious kick to everyone in the audience, Everyone Style" A man meets a silent woman, just like any rational person would do in such a situation, making her his prostitute. But pimping is our smallest problem. When we are exhausted by rough fake 16mm photography, this movie becomes increasingly crazy. Our closest sympathetic character is a pimp because he is too proud to sleep with a mute prostitute. Others are either flesh and blood blurred or disguised as flesh and blood blurred. Even a prostitute, even a thug such as Lars von Till, would make her likable, but she also behaved like a horrible woman who was delirious. Her screams were like hitting the jugular vein vein. Jin Gao seems to have abandoned Marxist criticism of his short films and instead resorted to unconscious atrocities, which ultimately led to an endless bloody freak performance, including a pair of scissors going to the wrong place. During the bloody process, we filmed the dying face of the battered prostitute for a long time, but this did not arouse sympathy or sympathy. In fact, the photos of the victims only make us shrink in shock. In fact, during the screening in Busan, the extended footage resulted in consecutive exits. The long filming made us stare, but it assumed that we were as sadistic as the victims (and the movie). At the same time, the sound effect (mainly the booming bass lines that shake the theater) pulsates with pure evil. For Hanake, shock can lead to reflection, which requires us to maintain a critical attitude. Here, we just want to escape. I think exhaustion has some advantages; The drilling machine and factory lenses provide a captivating backdrop for the pursuits of pimps and prostitutes. But everything else was too painful. At least Jinji Duke gave us a break. Exhaustion makes bad guys look like women and homeless people. (Asian Art. ucla. edu)展开
