Cleo de 5 a 7 is an interesting French film where the storyline follows a path onto tracing the a woman`s personal intrigues as she traverses Paris waiting on her medical results. This lady is a young pop artist whose life is Paris is filled with tension over her biopsy results as she fears that she might be suffering from cancer. Several perspectives on the Paris city are observed from the film as her interaction with the city is in real time. The main subject tin the creation of this cinema was the debate about the traditional cinema and the modern cinema shooting. Parisian landscapes are featured in the beginning of the movie scenes to appear as if it was a documentary. The director of the film, Varda, wanted to use the Paris scenes deliberately as a conscious way to unravel the French history and demonstrate the Parisian lifestyle. The impact of these scenes is essentially politic
《五至七时的奇奥》的开头是一段塔罗牌占卜戏,镜头是手指和纸牌的特写,这也是全片唯一一段彩色画面。克莱奥迷信塔罗牌,跟现在年轻女孩迷信星座,其实没有本质区别。可能患有绝症,又在深信不疑的塔罗牌上得到了“确诊”,克莱奥内心的惶恐与焦虑也就自然浮现了,于是,情绪成了电影的驱动,引导着故事的走向。
所以简单概括起来,这是一部情绪化的电影,用一个半小时的时长讲述了一个半小时的故事,而非片名里的两个小时,截取了克莱奥生活中的一段时空,故事随情绪流淌,时而欢欣,时而忧伤
啊啊啊啊啊啊好久没看到这么喜欢的电影,从一开头就吸引我到目不转睛的,到最后结尾的时候,我整个人要惊叫出来了,好喜欢Σ>―(〃°ω°〃)♡→。
从一开头的占卜,雷洛曼揭示了女主了一些东西,影片就一直在往神秘迷信且细腻的气氛走了。
塔罗的预示很准,从一开始就讲明了女主的演绎生涯,得病经历交代了她的男人,制作人,女仆安洁拉,后面遇到的转机的情夫等一众人物。
不过值得一提的是,高塔和死神两张大牌的逆位在收尾,很可能就不是代表着本来的毁灭和死亡的意思
五至七时的克莱奥:《五至七时》
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